Kim Petras: Feed the Beast Album Review

Kim Petras, the pop star from Germany, has released her latest album “Feed the Beast.” This album has caught the attention of many fans and music lovers. In this review, we’ll take a closer look at the album, its songs, production, lyrics, and more. We’ll explore the strengths and weaknesses of the album, considering its place in Kim Petras’ musical journey.

Feed the Beast Album Overview

Kim Petras’ album “Feed the Beast” presents a mixed bag of pop tracks that showcase both her mainstream ambitions and a slight departure from her signature style. The album gains significant attention for featuring the chart-topping collaboration “Unholy” with Sam Smith, propelling Petras into the mainstream spotlight. However, this success is accompanied by creative questions. The album predominantly leans towards safe, high-energy dance-pop, often lacking a distinctive perspective. Tracks like “King of Hearts” and “Castle in the Sky” attempt urgency but fall somewhat flat, and even typically catchy tunes like “Sex Talk” lack their usual vigor. While “Coconuts” stands out as a disco-pop gem, the album as a whole struggles to maintain consistency. The title, “Feed the Beast,” hints at Petras’ commitment to producing music for mass consumption, which seems to have led to a loss of the edge that characterized her earlier work. “Feed the Beast” reflects Petras’ mainstream aspirations, yet it leaves behind some of the uniqueness that initially set her apart in the pop music landscape.

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Track Analysis

“Feed the Beast” delivers a varied assortment of tracks that encapsulate Kim Petras’ journey into mainstream pop territory. The album opens with the catchy “Unholy,” a collaboration with Sam Smith that combines Gregorian chants and modern synths. This standout track’s transgressive and sex-positive energy contrasts with much of the album’s content. While “King of Hearts” and “Castle in the Sky” attempt urgency, they lack the vibrancy expected from Petras. “Coconuts” shines as a disco-pop highlight, showcasing Petras at her best with its playful energy.

However, many tracks on the album suffer from clichéd lyrics, dragging down their impact. Even “Sex Talk,” though typically Petras-esque, lacks the spark that characterizes her earlier work. The album’s creative direction seems to prioritize mainstream appeal over innovation, resulting in a noticeable loss of Petras’ earlier edge. This approach might explain why the album’s content falls short of the heights reached by Petras’ previous collaborations and singles. In the pursuit of wider recognition, “Feed the Beast” trades some of Petras’ distinctiveness for a more formulaic approach, ultimately raising questions about the artist’s creative evolution.

Production and Instrumentation

The production of the album is generally polished and tailored for commercial spaces. The use of synths and electronic beats is prominent throughout. Tracks like “Unholy” feature eclectic elements like Gregorian chants and unique synths. While some songs manage to capture attention, the album as a whole lacks the experimental edge that could have set it apart.

Songwriting and Lyrics

One of the album’s downfalls lies in its lyrics. Many songs rely on clichéd lines that lack the clever wordplay and creativity Kim Petras is known for. Lines like “You gon keep on playing till you go too far” and “When you touch my body, I hear the angels sing” feel uninspired and fail to leave a lasting impression.

Vocal Performance

Kim Petras’ vocals shine in certain tracks, especially when she infuses her singing with a sense of playfulness and sass. However, in some songs, her enthusiasm seems subdued. Her vocal range and ability to convey emotions are evident, but they aren’t consistently harnessed to their fullest potential across the album.

Comparisons and Influences

While Kim Petras’ music has often drawn from mainstream pop influences, “Feed the Beast” struggles to carve out a unique identity. It’s reminiscent of the energetic pop tracks by artists like Katy Perry and Kesha. However, it lacks the distinctiveness that would make it stand out in the crowded pop landscape.

Emotional Impact

“Feed the Beast” falls short in creating a strong emotional impact. Unlike some of Kim Petras’ earlier work, the album fails to tap into the raw emotions that can make pop music relatable and memorable. The lack of emotional resonance diminishes the overall listening experience.

Target Audience

The album seems geared toward a mainstream audience that enjoys energetic pop tunes. It’s music that you might hear at a dance party or playing in the background at a store. While this could be appealing to casual listeners, it might leave dedicated fans wanting more substance and innovation.


“Feed the Beast” faces criticism for its lack of risk-taking. The album feels safe, often prioritizing commercial appeal over creative exploration. The decision to include the track “Unholy” as a last-minute addition from another artist’s album raises questions about the album’s cohesive vision and originality.

Personal Insights

As a long-time Kim Petras fan, it’s disappointing to see the departure from the unique charm and wit that she displayed in her earlier music. The absence of her signature clever wordplay and infectious enthusiasm in most tracks is evident. While some moments like “Coconuts” capture that essence, they are few and far between.


In conclusion, “Feed the Beast” offers a collection of dance-pop songs that, while energetic, lack the spark that Kim Petras is known for. The album’s consistent reliance on clichés and safe production choices hinder its potential impact. While there are glimpses of her playful and sassy style, the album as a whole struggles to create a lasting impression. For fans who have followed Kim Petras’ journey, “Feed the Beast” might feel like a detour from the innovative and captivating music they have come to love. While the album might find an audience in mainstream pop enthusiasts, it misses the mark for those seeking deeper emotional resonance and artistic authenticity.

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